Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
38. Pegasus and Apollo [1973]
1903, Preuţeşti, Suceava - 2005, Fălticeni
Estimate
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 10.000 - 15.000
Sold
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 10.000
Session
Thu, 25 May 2023 19:00
Brought to you by
A representative of the realistic art movement, Ion Irimescu definitely rejects any type of abstraction in his work. He mainly accomplishes a pedestal sculpture, suitable for interior spaces, and takes over characteristics from his teacher, Dimitrie Paciurea, as well as from sculptor Oscar Han, whose studio he often visits. Convinced that the secret of sculpture lies in uninterrupted drawing exercises, he dedicates a broad section of his creation to pencil studies of what later would become sculptural material. What is remarkable in his work is his preference towards the human figure. Iirmescu excels in accomplishing a broad series of portraits and self-portraits, which he presents in exhibitions both nationally and internationally, such as the Venice Biennale. The first period of his creation matches his desire to illustrate mythological themes and legends, yet he would resume these motifs at a later date as well, as we can also notice in the present work. If his youth corresponded to a searching stage, in 1973, as he was completing the work for "Pegasus and Apollo", he already had the answers. With the ability of a virtuoso, he joins together two important characters of ancient mythology. Pegasus, the divine winged horse whose ascetic nature is reminded by Greek myths, is crowned by the presence of Apollo, the divinity of numerous powers, above the clerical law, who, aided by the prophets and the Oracle, offered the people his knowledge of the future. Irimescu carves legends in bronze and reiterates for his public the myths at the base of sketching an entire community.
References
MIHALACHE, Marin, "Ion Irimescu", State Publishing House for Literature and Art, Bucharest, 1958. SCHILERU, Eugen, "Ion Irimescu", Meridiane Publishing House, Bucharest, 1969.
Dimensions
depth 26 cm, width 82 cm, height 135 cm, custom 135 Ã 82 Ã 26 cm
Description
bronze, signed and dated on the base, by incision, "irimescu ion, 1973"
Research information
A version of the artwork is reproduced in the monograph "Irimescu. 100 de ani" ("Irimescu. 100 years"), Alexandru Cebuc, Arc Publishing House, Bucharest, 2003, at p. 6.
Dating
1973
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Detalii
A representative of the realistic art movement, Ion Irimescu definitely rejects any type of abstraction in his work. He mainly accomplishes a pedestal sculpture, suitable for interior spaces, and takes over characteristics from his teacher, Dimitrie Paciurea, as well as from sculptor Oscar Han, whose studio he often visits. Convinced that the secret of sculpture lies in uninterrupted drawing exercises, he dedicates a broad section of his creation to pencil studies of what later would become sculptural material. What is remarkable in his work is his preference towards the human figure. Iirmescu excels in accomplishing a broad series of portraits and self-portraits, which he presents in exhibitions both nationally and internationally, such as the Venice Biennale. The first period of his creation matches his desire to illustrate mythological themes and legends, yet he would resume these motifs at a later date as well, as we can also notice in the present work. If his youth corresponded to a searching stage, in 1973, as he was completing the work for "Pegasus and Apollo", he already had the answers. With the ability of a virtuoso, he joins together two important characters of ancient mythology. Pegasus, the divine winged horse whose ascetic nature is reminded by Greek myths, is crowned by the presence of Apollo, the divinity of numerous powers, above the clerical law, who, aided by the prophets and the Oracle, offered the people his knowledge of the future. Irimescu carves legends in bronze and reiterates for his public the myths at the base of sketching an entire community.
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
References
MIHALACHE, Marin, "Ion Irimescu", State Publishing House for Literature and Art, Bucharest, 1958. SCHILERU, Eugen, "Ion Irimescu", Meridiane Publishing House, Bucharest, 1969.
Dimensions
depth 26 cm, width 82 cm, height 135 cm, custom 135 Ã 82 Ã 26 cm
Description
bronze, signed and dated on the base, by incision, "irimescu ion, 1973"
Research information
A version of the artwork is reproduced in the monograph "Irimescu. 100 de ani" ("Irimescu. 100 years"), Alexandru Cebuc, Arc Publishing House, Bucharest, 2003, at p. 6.
Dating
1973
Brought to you by
Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
Similar lots
