Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
29. Small Pyramid [1972]
1922, Bucureşti - 2012, Paris
Estimate
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 3.000 - 5.000
Sold
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 2.500
Session
Thu, 25 May 2023 19:00
Brought to you by
Horia Damian's artistic style would come across a completely different approach starting from 1964, when he executes the first pyramid in relief. Hence, he created his archetypal-iconographic cycles, often bearing architectural elements as centrefold. Influenced by ancient Egyptian architecture, Damian imprints the metaphysics of the matter into his creations, hence approaching the deeply symbolic prototypes of the sacred space. A symbol of ascension, the pyramid accommodates the sarcophagus of the Pharaoh, whose last wish is to rise towards the peak of the monument, for eternity. In the artist's work, the pyramid appears as a method of glorifying life and death; a stairway to the skies, as well as an equitable representation of harmony and unity. In the cycle dedicated to pyramids, Horia Damian focuses mostly on shape. He opts for a monochrome colour range, he used a mixed technique and wagers on the three-dimension non-formal representation of the sacred. In the current work, by using black, the artist assigns power, mystery and strength to a space which concentrates and materialises cosmic energies. By using an expressive style system and an architectural and cosmic vision, Damian continues the monument creators' tradition. His geometry can no longer be assigned to the terrestrial dimension, as its lines and shapes rather converge to the celestial one. Eventually, the artist's work becomes a complex meditation about the sky and infinity.
References
Catalogue of the exhibition "Horia Damian", National Museum of Contemporary Art, September-October 2009.
Dimensions
depth 5 cm, width 42 cm, height 46 cm, custom 46 Ã 42 Ã 5 cm
Description
acrylic, plaster and wood, signed, dated and numbered on the reverse, in white, "Damian, 1972, 4/25"
Dating
1972
PROVENANCE
colecÈie privatÄ, Paris
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Detalii
Horia Damian's artistic style would come across a completely different approach starting from 1964, when he executes the first pyramid in relief. Hence, he created his archetypal-iconographic cycles, often bearing architectural elements as centrefold. Influenced by ancient Egyptian architecture, Damian imprints the metaphysics of the matter into his creations, hence approaching the deeply symbolic prototypes of the sacred space. A symbol of ascension, the pyramid accommodates the sarcophagus of the Pharaoh, whose last wish is to rise towards the peak of the monument, for eternity. In the artist's work, the pyramid appears as a method of glorifying life and death; a stairway to the skies, as well as an equitable representation of harmony and unity. In the cycle dedicated to pyramids, Horia Damian focuses mostly on shape. He opts for a monochrome colour range, he used a mixed technique and wagers on the three-dimension non-formal representation of the sacred. In the current work, by using black, the artist assigns power, mystery and strength to a space which concentrates and materialises cosmic energies. By using an expressive style system and an architectural and cosmic vision, Damian continues the monument creators' tradition. His geometry can no longer be assigned to the terrestrial dimension, as its lines and shapes rather converge to the celestial one. Eventually, the artist's work becomes a complex meditation about the sky and infinity.
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
References
Catalogue of the exhibition "Horia Damian", National Museum of Contemporary Art, September-October 2009.
Dimensions
depth 5 cm, width 42 cm, height 46 cm, custom 46 Ã 42 Ã 5 cm
Description
acrylic, plaster and wood, signed, dated and numbered on the reverse, in white, "Damian, 1972, 4/25"
Dating
1972
PROVENANCE
colecÈie privatÄ, Paris
Brought to you by
Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
