67. Spinner [1948]

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Brought to you by

Roxana Scripcaru

Head of the Romanian Postmodern & Contemporary Art Evaluation Office

0736 381 153 roxana.scripcaru@artmark.ro

67. Spinner [1948]

Max Hermann Maxy

1895, Brăila - 1971, Bucureşti

Estimate:

EUR 6.000 - 9.000

Sold

EUR 6.000

References

OPREA, Petre, "M. H. Maxy", Meridiane Publishing House, Bucharest, 1974. ILK, Michael, "M. H. Maxy. Artist integralist", Berlin, 2003.

oil on thin cardboard, 62.4 x 48.2 cm, 62,4 Ã 48,2 cm, signed and dated bottom right, in green, "Maxy, 1948"

Although he begins his artistic formation alongside some of the most important representatives of modernism, Max Herman Maxy would become one of the most avid promoters of the avant-garde movement on the Romanian territory, and most notably of the cubist pictorial manner. Across time, the artist's style would be subject to several transformations, and his work would encounter successive constructivist stages, as well as stages influenced by a moderate modernism, in which we notably distinguish the principles of realism and the influences of pictorial narrative. Although in the majority of his creations he works in a constructivist manner and plays with spectres and mirrors, in the current work he adheres to a much more conventional pictorial style, in which we can easily distinguish the influence of his first teacher, Camil Ressu. The social theme approached by Maxy, especially after 1940, is emphasized by the female protagonist, who seems to be taken from those monumental canvases of countryside subject matters painted by Ressu in Vlaici. For a while, the small, picturesque village in the Olt county represented a source of inspiration for Maxy as well, as, upon invitation from landowner and art collector Alexandru Bogdan-Pitești, he would spend his summers in Vlaici, depicting on his canvases themes inspired by country life.

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