Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
127. Green Corner [1969]
1903, Ciucurova, Tulcea - 1977, Bucureşti
Selling price
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 8.683
Session
Tue, 19 November 2024 17:00
Brought to you by
Alexandru Ciucurencu's mature work is renowned for its vibrant, exuberant chromatics, marking a sharp contrast to his earlier works influenced by the brown nuances promoted by his professor, G.D. Mirea. During the summers spent in Baia Mare, Ciucurencu was surprised by the expressive palette of the Maramureș painters and was astounded by their chromatic juxtapositions. In 1930, the artist leaves his native lands behind and sets off for Paris. The fervor of one of the most esteemed European artistic capitals of the last century unequivocally broadens his imaginative horizon and offers him new possibilities for artistic expression. In the French capital, Ciucurencu discovers Hieronymus Bosch, Boticelli, Matisse, Picasso, Braque, or Cézanne. Besides the encounter of the Romanian painter with universal art, his contact with Paris mediates a much more significant pictorial refinement. His works always start from reality, no matter how they end up being executed. From Cézanne's cubism, he borrows in much decreased quantities, and from Matisse, he will take on the valorisation of the line and color in his own work. His drawing abilities are particularly revealed through the contours by which the artist defines his subjects. Ciucurencu masters the art of aligning lines and harmonizing colors. Often presented as a "colorist", the artist considers himself a continuator of painters who also had a special concern for color: Luchian, Ressu, Lhote, or Pallady.
References
IONESCU, Radu, "Ciucurencu," Semne Publishing, Bucharest, 1994. OPRESCU, George, "Alexandru Ciucurencu," Meridiane Publishing, Bucharest, 1962.
Dimensions
width 63 cm, height 48 cm
Description
oil on canvas, signed and dated bottom right, in black, "AC, (1)969"
Research information
The work is reproduced in the monograph "Ciucurencu", Mircea Deac, Meridiane Publishing House, Bucharest, 1978, cat. 73. The work is reproduced in the monograph "Alexandru Ciucurencu", Vasile Florea, Arc 2000 Publishing House, Bucharest, 1995.
Dating
1969
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Detalii
Alexandru Ciucurencu's mature work is renowned for its vibrant, exuberant chromatics, marking a sharp contrast to his earlier works influenced by the brown nuances promoted by his professor, G.D. Mirea. During the summers spent in Baia Mare, Ciucurencu was surprised by the expressive palette of the Maramureș painters and was astounded by their chromatic juxtapositions. In 1930, the artist leaves his native lands behind and sets off for Paris. The fervor of one of the most esteemed European artistic capitals of the last century unequivocally broadens his imaginative horizon and offers him new possibilities for artistic expression. In the French capital, Ciucurencu discovers Hieronymus Bosch, Boticelli, Matisse, Picasso, Braque, or Cézanne. Besides the encounter of the Romanian painter with universal art, his contact with Paris mediates a much more significant pictorial refinement. His works always start from reality, no matter how they end up being executed. From Cézanne's cubism, he borrows in much decreased quantities, and from Matisse, he will take on the valorisation of the line and color in his own work. His drawing abilities are particularly revealed through the contours by which the artist defines his subjects. Ciucurencu masters the art of aligning lines and harmonizing colors. Often presented as a "colorist", the artist considers himself a continuator of painters who also had a special concern for color: Luchian, Ressu, Lhote, or Pallady.
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
References
IONESCU, Radu, "Ciucurencu," Semne Publishing, Bucharest, 1994. OPRESCU, George, "Alexandru Ciucurencu," Meridiane Publishing, Bucharest, 1962.
Dimensions
width 63 cm, height 48 cm
Description
oil on canvas, signed and dated bottom right, in black, "AC, (1)969"
Research information
The work is reproduced in the monograph "Ciucurencu", Mircea Deac, Meridiane Publishing House, Bucharest, 1978, cat. 73. The work is reproduced in the monograph "Alexandru Ciucurencu", Vasile Florea, Arc 2000 Publishing House, Bucharest, 1995.
Dating
1969
Brought to you by
Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
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