Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
The photos of the lot are informative and indicative, and cannot provide a highly detailed view of the object from all angles. We recommend a careful physical inspection of the lot before bidding.
99. Still Life with Pitchers and Walnuts [prima jumÄtate a anilor '40]
1903, Ciucurova, Tulcea - 1977, Bucureşti
Estimate
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 5.000 - 7.000
Sold
Pretul de pornire si cel estimat nu sunt preturi de vanzare efective
EUR 5.000
Session
Tue, 21 February 2023 19:00
Brought to you by
Like many of the still life paintings he created over time, "Still Life with Pitchers and Walnuts" appeals to the concept of compositional harmony, where lights and colours outline pictorial objects; the objects perceived as a means - both in the creation and in the decoding of the work - of highlighting chromatic intensity. The placement of a table drawn with light tinges on a black background adds a layer of depth, embossing and specific positioning, that is not just implied, where the space where the objects are place is clearly defined by the background. There are two pitchers on the table: one is vertical, and the other is set in a recumbent position, on the oblique axis of the table. Next to these two pitchers are the outlined renderings of several walnuts, each with a different colouring, depending on the lights and shadows depicted in the painting. This work highlights the artist’s playfulness with lights and shadows, altering the colours of the rendered objects according to their positioning in relation to the light source, and also taking into account the shadows they generate and how the positioning of certain objects influences the way in which the other renderings in the work are perceived Although the renderings of the pitchers are similar to reality, the rendering of walnuts acquires almost geometric twists, bringing to the fore the harmonised geometry sought by Ciucurencu. We can also mention here "the black the Impressionists dreaded, using particular skill to draw the black line, its graphical, energetic and delimiting feature that had made the Impressionists avoid it, due to its contrasting, dramatic and characterising effects". (Mircea Deac, "Ciucurencu", Meridiane Publishing House, Bucharest, 1978). Ciucurencu uses the black, contrasting line to express a realistic, socially inspired, everyday vision. The artist once again manages to use colour as the main pawn behind his work, granting it more than a passive-decorative role, but also imbuing it with valences from the active sphere, in an attempt to convey and express more than what is seen.
References
DEAC, Mircea, "Ciucurencu", Meridiane Publishing House, Bucharest, 1978.
Dimensions
width 45 cm, height 33 cm, custom 33 Ã 45 cm
Description
oil on cardboard, signed bottom right, with grey, "AC"
Dating
prima jumÄtate a anilor '40
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Detalii
Like many of the still life paintings he created over time, "Still Life with Pitchers and Walnuts" appeals to the concept of compositional harmony, where lights and colours outline pictorial objects; the objects perceived as a means - both in the creation and in the decoding of the work - of highlighting chromatic intensity. The placement of a table drawn with light tinges on a black background adds a layer of depth, embossing and specific positioning, that is not just implied, where the space where the objects are place is clearly defined by the background. There are two pitchers on the table: one is vertical, and the other is set in a recumbent position, on the oblique axis of the table. Next to these two pitchers are the outlined renderings of several walnuts, each with a different colouring, depending on the lights and shadows depicted in the painting. This work highlights the artist’s playfulness with lights and shadows, altering the colours of the rendered objects according to their positioning in relation to the light source, and also taking into account the shadows they generate and how the positioning of certain objects influences the way in which the other renderings in the work are perceived Although the renderings of the pitchers are similar to reality, the rendering of walnuts acquires almost geometric twists, bringing to the fore the harmonised geometry sought by Ciucurencu. We can also mention here "the black the Impressionists dreaded, using particular skill to draw the black line, its graphical, energetic and delimiting feature that had made the Impressionists avoid it, due to its contrasting, dramatic and characterising effects". (Mircea Deac, "Ciucurencu", Meridiane Publishing House, Bucharest, 1978). Ciucurencu uses the black, contrasting line to express a realistic, socially inspired, everyday vision. The artist once again manages to use colour as the main pawn behind his work, granting it more than a passive-decorative role, but also imbuing it with valences from the active sphere, in an attempt to convey and express more than what is seen.
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
References
DEAC, Mircea, "Ciucurencu", Meridiane Publishing House, Bucharest, 1978.
Dimensions
width 45 cm, height 33 cm, custom 33 Ã 45 cm
Description
oil on cardboard, signed bottom right, with grey, "AC"
Dating
prima jumÄtate a anilor '40
Brought to you by
Roxana Scripcaru
Head of the Romanian Postmodern & Contemporary Art Evaluation Office
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