81. Briemberg's Algorithm [2000]
Estimate
EUR 300 - 500
Sold
EUR 500
Session
Tue, 15 December 2015 20:00
Dimensions
width 82.5 cm, height 62.5 cm, custom 82,5x62,5
Description
acrylic on newspaper, signed, dated and titled centrally up, in pencil, "Nicolae Comănescu, ianuarie 2000, Algoritmul lui Briemberg, ROSTOPASCA"
Dating
2000
PROVENANCE
Nicolae Comănescu lives and works in Bucharest. He graduated in painting from the University of Arts in Bucharest in 1998. He is a founding member of the Rostopasca group. Regarding composition of his works, the artist says that he makes use of "dust and chalky soil from Berceni, ash and charcoal from the forever smoldering barbecues behind the buildings, clay from the banks of the Danube, powder of linden tree leaves, brick powder from Assan"s Mill, reddish clay collected from the sea side, somewhere between 2 Mai and Vama Veche, all mixed with an acrylic medium bought from a German store in Vienna".
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
ADDITIONAL INFORMATION
For clarifications regarding the bidding procedure, hammer price costs, guarantee, payment, and collection terms for the winning lot, we recommend carefully reading/re-reading the Bidding Regulations.
For additional information regarding the lot and the auction, please contact the Art Consultants Department.
Dimensions
width 82.5 cm, height 62.5 cm, custom 82,5x62,5
Description
acrylic on newspaper, signed, dated and titled centrally up, in pencil, "Nicolae Comănescu, ianuarie 2000, Algoritmul lui Briemberg, ROSTOPASCA"
Dating
2000
PROVENANCE
Nicolae Comănescu lives and works in Bucharest. He graduated in painting from the University of Arts in Bucharest in 1998. He is a founding member of the Rostopasca group. Regarding composition of his works, the artist says that he makes use of "dust and chalky soil from Berceni, ash and charcoal from the forever smoldering barbecues behind the buildings, clay from the banks of the Danube, powder of linden tree leaves, brick powder from Assan"s Mill, reddish clay collected from the sea side, somewhere between 2 Mai and Vama Veche, all mixed with an acrylic medium bought from a German store in Vienna".
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