94. Imperial Icon on wood, "Mother of God with Child (Hodigitria)", painted frame, attributed to Nechita the Painter, mid 18th century, rare collection piece
Продажна цена
EUR 4.200
Сесия
Чет, 26 юни 2025 18:00
Размери
width 51.5 cm, height 81.5 cm
Описание
tempera pe lemn
Информация от изследване
Nechita the painter was an icon and mural painter, active during the 1740–1775 period. His works are found equally in Bihor, in the lands of Huedin and Cluj, in the Transylvanian Plain, on the Someș River valley and in Sălaj. The painting created by the artist is marked by his strong personality, the icons and wall decor being easily recognized by many specific elements. His rich activity would have remained under the sign of anonymity, the painter having the habit of usually dating his works, but not signing them - according to some older traditions encountered throughout the Romanian Middle Ages and which have been preserved until the beginning of the 18th century.
ДОПЪЛНИТЕЛНА ИНФОРМАЦИЯ
За разяснения относно процедурата по наддаване, разходите при спечелване, условията за гаранция, плащане и вземане на спечеления лот, препоръчваме внимателно четене/препрочитане на Правилника за наддаване.
За допълнителна информация относно лота и търга, моля свържете се с Отдела на арт консултантите.
Detalii
ДОПЪЛНИТЕЛНА ИНФОРМАЦИЯ
За разяснения относно процедурата по наддаване, разходите при спечелване, условията за гаранция, плащане и вземане на спечеления лот, препоръчваме внимателно четене/препрочитане на Правилника за наддаване.
За допълнителна информация относно лота и търга, моля свържете се с Отдела на арт консултантите.
Размери
width 51.5 cm, height 81.5 cm
Описание
tempera pe lemn
Информация от изследване
Nechita the painter was an icon and mural painter, active during the 1740–1775 period. His works are found equally in Bihor, in the lands of Huedin and Cluj, in the Transylvanian Plain, on the Someș River valley and in Sălaj. The painting created by the artist is marked by his strong personality, the icons and wall decor being easily recognized by many specific elements. His rich activity would have remained under the sign of anonymity, the painter having the habit of usually dating his works, but not signing them - according to some older traditions encountered throughout the Romanian Middle Ages and which have been preserved until the beginning of the 18th century.