Meniu

Продай / Продай
Контакт
Моят профил
Български

Открийте

Арт консултанти

Отдели търгове







78. Woman Inside

1871, Iaşi - 1956, Bucureşti

Оценка

EUR 12.000 - 18.000

Продадено

EUR 16.000

Сесия

Чет, 2 ноември 2017 19:30

A Pallady from the collection of Gheorghe Răut is a remnant of our cultural Romanian heritage, the materialisation of the creation of the former and of the love of the latter for the painter. It is well-known that much of the collection of the banker Răut (president of the Paris branch of Marmorosch-Blank) led to the creation of the Pallady Museum, by donation. After 10 April 1940, when Pallady left Paris for Good, Răut was the one who continued to take care of the artist's workshop in Place Dauphine until after Pallady's death, so we can easily understand the connection between the two. Perhaps attracted by a philosophical definition of beauty, they both shared the same passion for classical painting, in which female models are the essence and the core of a composition. Primeval source and muse of Theodor Pallady's creation, the woman was treated by our painter, no matter the age and style (which suffered various interpretations, particularly in the first period 1900-1910) in an atypical manner, particularly if we mention nudes or portraits. Even though the first female nudes shaped by Pallady were clearly influenced by the post-1900 styles, of which symbolism and lyricism seem to coordinate the dream-like apparition of the model in the landscape, Pallady did not fall prey to an easy manner of interpretation, especially due to the realism that guided him throughout his life. Critics always identified the spirituality in his approach of his favourite themes (female figures) and the typical aristocratic lyricism with which they are charged. The woman resting on a sofa (by the window), the imminence of the figurative, by reminiscing of the famous interior, the thinking position of the character, but above all the very typical manner of interpretation of form give to this painting a charge that goes beyond the mere natural apparition of the model posing for the artist. The canvas completes a homogenous cycle designed by Pallady in the 30s, when the painter was still working in Paris.

Препратки

CRIȘAN, Dana, "Pallady scriind. Jurnale, scrisori, însemnări", Ed. Compania, București, 2009
GEORGESCU, I.L., "Pe urmele lui Pallady", Ed. Lumina Lex, București, 1998
ŞORBAN, Raoul, "Theodor Pallady", Ed. Meridiane, Bucureşti, 1975

Размери

width 38 cm, height 46 cm

Описание

oil on canvas glued on cardboard, signed right side "T. Pallady", in pencil

ПРОИЗХОД

the collection of Ninette Schapira and Gheorghe Răut.

ДОПЪЛНИТЕЛНА ИНФОРМАЦИЯ

За разяснения относно процедурата по наддаване, разходите при спечелване, условията за гаранция, плащане и вземане на спечеления лот, препоръчваме внимателно четене/препрочитане на Правилника за наддаване.

За допълнителна информация относно лота и търга, моля свържете се с Отдела на арт консултантите.

Алтернативни лотове

In the Garden of Beaucaire

93. In the Garden of Beaucaire [1911]

Samuel Mützner

    Оценка EUR 9.000 - 16.000
    Продадено EUR 14.000
Jerusalem

134. Jerusalem [1927]

Max Arnold

    Оценка EUR 1.200 - 1.800
Odalisque

111. Odalisque [1922]

Ipolit Strâmbu

    Оценка EUR 2.000 - 3.500
    Продадено EUR 3.750