Снимките на лота са с информативен и илюстративен характер и не могат да предоставят изключително детайлен изглед на обекта от всички ъгли. Препоръчваме внимателен оглед на лота на място, преди да направите наддаване.
Снимките на лота са с информативен и илюстративен характер и не могат да предоставят изключително детайлен изглед на обекта от всички ъгли. Препоръчваме внимателен оглед на лота на място, преди да направите наддаване.
Theodor Aman, considered the first modern artist from our country and the one who managed to capture aspects of the era in which he lived, from the evolution of fashion to the mores of the bourgeois society from the second half of the 19th century. Still life is a genre that Aman approaches throughout his artistic course, mainly standing out in compositions with flowers and fruits. The first still lifes with flowers appear in the first years after returning to Bucharest from his studies in Paris, when Aman performs a few chromatic exercises, still under the influence of French academicism.
After 1875, the first truly important works appear, works in which a greater inclination towards these compositions can be observed. Fascinated by reflections, effects and lighting work, he tries to capture as much of these elements where an important example in this sense is: ("Lilac bouquet"), in which the glass surface reflects the composition, doubling the image and allowing the artist to perform an anamorphosis exercise. Other examples are: ("Bouquet of flowers"), ("Lilac bouquet") or ("Pot with flowers- Roses in a glass").
Regarding this work, which we can frame in the period around 1875 after his return from his studies in Paris, he focuses on capturing the still nature of a vase with roses. The vase is placed on a table, in a room, the bouquet consists of several roses of different shades of pink and yellow with their green leaves. The roses create a play of light and shadow that is projected on the wall behind the vase, more visible on the right side and behind the vase. This shadow projected on the wall is given by a thinner rose stem, its trunk and its leaves that give a vibrant balance to the work.
Despite the floral composition being part of the first stage in which Aman acquaints himself with the reproduced object, trying to get as close to it as possible and without standing out through a notable plastic expression, the work is only important in as much as it marks a moment of inception of still life as a new genre in Romanian painting. Even if the work is in its initial period, Aman managed to capture the composition quite well, a composition that is carefully made and focuses on reflections and the study of light. The brushwork is broad, with accents on transparency effects; the chromatic range is harmonious and pleasant and made of warm colors.
All of his still lifes are largely characterized by a very rigorous and confident design, the balanced composition also follows the appropriate chromatic formula and the correct placement of light and shadow within the paintings.
Beyond the conceptual evolution, which marks various stages, Aman's still lifes stand out with the precision of execution, the finesse and meticulousness of visual perception, the sensitivity with which it harmonizes chromatic and luminous values.
Препратки
Greta ȘUTEU "Aman the Painter, the painting repertoire of the Theodor Aman Museum", Bucharest City Museum Publishing House, 2017.
Размери
width 11 cm, height 16 cm
Описание
oil on wood, signed bottom right, in red, "Aman"
Запознанства
1875-1880
ПРОИЗХОД
Tiberiu Puica's historical collection.
ДОПЪЛНИТЕЛНА ИНФОРМАЦИЯ
За разяснения относно процедурата по наддаване, разходите при спечелване, условията за гаранция, плащане и вземане на спечеления лот, препоръчваме внимателно четене/препрочитане на Правилника за наддаване.
Theodor Aman, considered the first modern artist from our country and the one who managed to capture aspects of the era in which he lived, from the evolution of fashion to the mores of the bourgeois society from the second half of the 19th century. Still life is a genre that Aman approaches throughout his artistic course, mainly standing out in compositions with flowers and fruits. The first still lifes with flowers appear in the first years after returning to Bucharest from his studies in Paris, when Aman performs a few chromatic exercises, still under the influence of French academicism.
After 1875, the first truly important works appear, works in which a greater inclination towards these compositions can be observed. Fascinated by reflections, effects and lighting work, he tries to capture as much of these elements where an important example in this sense is: ("Lilac bouquet"), in which the glass surface reflects the composition, doubling the image and allowing the artist to perform an anamorphosis exercise. Other examples are: ("Bouquet of flowers"), ("Lilac bouquet") or ("Pot with flowers- Roses in a glass").
Regarding this work, which we can frame in the period around 1875 after his return from his studies in Paris, he focuses on capturing the still nature of a vase with roses. The vase is placed on a table, in a room, the bouquet consists of several roses of different shades of pink and yellow with their green leaves. The roses create a play of light and shadow that is projected on the wall behind the vase, more visible on the right side and behind the vase. This shadow projected on the wall is given by a thinner rose stem, its trunk and its leaves that give a vibrant balance to the work.
Despite the floral composition being part of the first stage in which Aman acquaints himself with the reproduced object, trying to get as close to it as possible and without standing out through a notable plastic expression, the work is only important in as much as it marks a moment of inception of still life as a new genre in Romanian painting. Even if the work is in its initial period, Aman managed to capture the composition quite well, a composition that is carefully made and focuses on reflections and the study of light. The brushwork is broad, with accents on transparency effects; the chromatic range is harmonious and pleasant and made of warm colors.
All of his still lifes are largely characterized by a very rigorous and confident design, the balanced composition also follows the appropriate chromatic formula and the correct placement of light and shadow within the paintings.
Beyond the conceptual evolution, which marks various stages, Aman's still lifes stand out with the precision of execution, the finesse and meticulousness of visual perception, the sensitivity with which it harmonizes chromatic and luminous values.
ДОПЪЛНИТЕЛНА ИНФОРМАЦИЯ
За разяснения относно процедурата по наддаване, разходите при спечелване, условията за гаранция, плащане и вземане на спечеления лот, препоръчваме внимателно четене/препрочитане на Правилника за наддаване.
