64. The Cage [2014]

A strong source of inspiration for Șerban Savu’s art consisted of the relics of the communist regime, including the abandoned monumental projects, the forlorn factories, and the grey, sullen apartment buildings swarming the entire country. It is interesting to note how these sources inspired him and caused him to illustrate this Post-Revolution world filled with empty hopes: a sincere objectivity of the surrounding reality, without a hint of personal resent. In his paintings, Savu manages to capture the essence of the transition period and its consequences on contemporary life. The universe of his paintings has undertones of the values of the past, of Socialist man, as well as those of the new freedoms, newly earned, but lacking direction and meaning. The scenes capture events from the industrialized suburban areas, where, on the whole, detachment and calmness seem to be the predominant feelings. However, after a more detailed look at the carefully-constructed scenes, the inconsistencies bestowed by the structure of society and its consequences on everyday life. Ordinary life is the main subject of Savu’s paintings. He is concerned with individuals who do not have a special social status, who do not have any concerns out of the ordinary, nor do they recurrently take part in the fashionable social life. The anonymous become essential in the illustration of what is real, they are the foundation for the construction of his works.

Размери

width 100 cm, height 69 cm

Описание

oil on wood, signed and dated on the reverse, with black, "Șerban Savu, 2014"

Информация от изследване

The artwork was part of the exhibition "Morphogenetic Fields", Bucharest, 2017.

Запознанства

2014

ДОПЪЛНИТЕЛНА ИНФОРМАЦИЯ

За разяснения относно процедурата по наддаване, разходите при спечелване, условията за гаранция, плащане и вземане на спечеления лот, препоръчваме внимателно четене/препрочитане на Правилника за наддаване.

За допълнителна информация относно лота и търга, моля свържете се с Отдела на арт консултантите.